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Wednesday, March 31, 2010

Why There are no Chinese Nets in Calicut?

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Ever wondered why Calicut, with its centuries of contact with the Chinese, did not have a single Chinese net, whereas Chinese net has almost become the mascot of Cochin?
After all, more than Cochin, Calicut and Quilon had longer and more sustained trade relationship with China in the 14th and 15th Centuries. The greatest of Chinese mariners, Zheng He is reputed to have visited Calicut seven times and had even left a memorial plaque to mark his visits. He is believed to have died in Calicut during his seventh visit and his body was buried in the high seas off the coast of Calicut.
Chinese traders of Silk -a statue on Calicut's Silk Street (coutesy:bloomingcalicut)
Calicut and Panthalayini Kollom were reputed to have had enclaves of Chinese settlers. While Calicut boasts of a Silk Street where the Chinese traders had been peddling their ware, Panthalayini Kollom still has a Silk Bazar where similar trade must have been conducted by the Chinese mariners. Then, there is the evidence of travellers about the existence of Chinibachgan or the Children of the Chinese in Calicut, although there are other interpretations too for the source of the word.
It could also not have been the lack of suitable water bodies for fixing the nets, for the Chaliyar, Akalappuzha and the lagoons of Kadalundi offer locations comparable to the backwaters of Vembanad and Kochi kayal.
Wikipedia suggests that ‘some believe’ that the Chinese nets were introduced into Cochin by Zheng He, the great General of the Ming Dynasty. If so, why did he not introduce the nets into Calicut? More pertinently, did Cochin exist as an important port during Zheng He’s visits?
Chinese fishing nets in Cochin backwaters (courtesy:Wikipedia)
A more plausible explanation has been offered by Deepa Leslie in her article at http://enchantingkerala.org/kerala-articles/chinese-nets.php According to her, it is the Portuguese Casado settlers from Macau who brought this form of fishing into Cochin. She explains further that the names of the various parts of the net currently in use are Portuguese in origin :
The net used for catching the fish is called rede, its edge is borda, the arms of wooden parts which hold the extensive net together is brasao, while the flexible ring on the top on which the entire brasao moves is argola. In addition there are Corda and Pedra for balancing the movement of the net. There is Caluada on which the fishermen moves up and down and the posts which support the entire structure from the river bottom are called Odora.
Incidentally, the Portuguese settlers had also introduced the wok which is called cheenachchatti and the delicacy known among the coastal Christians of Cochin as cheenasampal. Finally, the catch from the Chinese nets when dried is called bakkal (vakkal) which is derived from the Portuguese term ‘Bacalhau’.
As Portuguese settlers ( Casado means ‘married one’) were not welcome in Calicut, the net also did not reach its shores!
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Saturday, March 13, 2010

Calicut Soap Factory and Raja Ravi Varma

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We had some time ago written about the glorious days of the Kerala Soap Institute, (KSI) Calicut which used to supply its famous Sandal Soaps to the Viceroy's House and the Rashtrapati Bhavan, New Delhi after independence. (Please read here:

The good news is that our speculation about the factory's obituary was rather premature! The state government showed great determination in reviving this heritage factory and we shall soon see our favourite 'Kerala sandal' on the shops of premier supermarkets. We do hope the quality equals that of the Mysore sandal - which incidentally learnt the art from Kerala Soap Institute, Calicut.

Getting the Viceroy of India to endorse the product was nothing less than a coup! But, using Raja Ravi Varma's lithographs to popularise the soap was something out of this world; but this was what the management of KSI did.

Raja Ravi Varma had started a lithographic press in Bombay in 1894 on the advice of Dewan Madhava Rao. It was called the Ravi Varma Fine Arts Lithographic Press (FAL Press, for short - those from the older generation might recall glossy calendars of gods and goddesses hanging from barber shops and tea stalls with the legend 'FAL Press' in the corner!) The press was managed by the painter himself and his brother Raja Varma. It churned out a large number of lithographs which were used as Calendar pictures. Many of these were paintings by Ravi Varma himself and others were by famous artists like C.K.Raju and Ramalingam.

The most famous lithograph of the artist used by KSI was 'Mohini on a Swing, 1894' which suggested freshness and natural fragrance, so appropriate as qualities for the sandal soap! But, then, some time later, Amco Batteries, Bangalore bought the lithograph and it disappeared from KSI Calendars. This was replaced by Hindu gods and goddesses.
It would be nice if Kerala Government could revive these heritage lithographs and use them in wrappers, calendars and other materials to revive the century old legacy of KSI.

Calicut has another legitimate claim on the works of Raja Ravi Varma - but therby hangs a tale! In 1904, the Viceroy, Lord Curzon conferred on the great artist the title Kaiser-i-Hind on behalf of His Majesty the King Emperor.

The citation mentioned the title, 'Raja' for the first time against the name of Ravi Varma. The Maharaja of Travancore, Sri Moolam Thirunal objected to this 'usurpation'. Ravi Varma, however, defended the title by claiming that his ancestors belonged to the royal family of Beypore, near Calicut. Anyhow, he continued to use the title 'Raja', since then.

Ironically, both the grand daughters of Raja Ravi Varma were later adopted by the Travancore palace and one of them became the mother of the next Maharaja, Chithira Thirunal Balarama Varma!

Reference:
Raja Ravi Varma: Painter of Colonial India (2010) by Rupika Chawla
Wikipedia article on Raja Ravi Varma

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